My graphic design practice centres around pairing unexpected strategies with carefully-crafted, multi-media identities, underpinned by a love for typography and print. I love to experiment, collaborate and play in order to push ideas and concepts into exciting territories. Using this methodology, my work often explores themes of community, social impact and sustainability — including in my dissertation: Rubbish Design, which questions the wastefulness of graphic design ephemera.

The work I’ve made during my time at Kingston has seen me specifically hone my typographic craft, both as a type designer and typographer. Thus, I am now a proud member of the International Society of Typographic Designers (ISTD), following my successful submission to their 2021 student assessment with the book design project Intertitle. I have also been a recipient of a Gold Creative Conscience Award (2020) for my second year project BioIndex, and a winner of D&AD New Blood’s 2021 Portfolio Picks competition, showcasing the work of selected ‘graduates to watch’.

While studying at Kingston, I’ve produced work for a number of exhibitions, including William Morris: Wallpaper Man with The Storybox Collective, a group of Kingston students and alumni. I also collaborated in a team of Kingston students to design the identity for an exhibition of Kingston Graphic Designers’ charity work with Amnesty International and SPEAR London.